Minggu, 26 Agustus 2018

Ebook Death Stand And Other Stories (The EC Comics Library)

Ebook Death Stand And Other Stories (The EC Comics Library)

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Death Stand And Other Stories (The EC Comics Library)

Death Stand And Other Stories (The EC Comics Library)


Death Stand And Other Stories (The EC Comics Library)


Ebook Death Stand And Other Stories (The EC Comics Library)

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Death Stand And Other Stories (The EC Comics Library)

About the Author

One of America’s most beloved and best known illustrators, Jack Davis was born on December 2, 1924 in Atlanta, Georgia. He passed away in 2016.In addition to his pioneering work on the “serious” EC war comics, Harvey Kurtzman (1924-1993) created the all-time greatest satirical comic (with Mad), the most widely-read adult comic strip (with “Little Annie Fanny” in Playboy), and one of the earliest graphic novels (with the 1959 The Jungle Book).

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Product details

Series: The EC Comics Library (Book 23)

Hardcover: 192 pages

Publisher: Fantagraphics Books; 1 edition (July 3, 2018)

Language: English

ISBN-10: 168396103X

ISBN-13: 978-1683961031

Product Dimensions:

7.2 x 1 x 10 inches

Shipping Weight: 2.1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#300,301 in Books (See Top 100 in Books)

Love the book. High quality. Well packaged. Very pleased. Thanks. Highly recommend this seller.

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Senin, 13 Agustus 2018

Ebook Why Internet Porn Matters (Stanford Briefs)

Ebook Why Internet Porn Matters (Stanford Briefs)

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Why Internet Porn Matters (Stanford Briefs)

Why Internet Porn Matters (Stanford Briefs)


Why Internet Porn Matters (Stanford Briefs)


Ebook Why Internet Porn Matters (Stanford Briefs)

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Why Internet Porn Matters (Stanford Briefs)

Review

"Why Internet Porn Matters renews philosophical debate about the function of pornography for the twenty-first century by examining the effects of a 'democratized Internet' as the new mode or form of pornography distribution and consumption, as distinct from philosophical and feminist criticisms of pornography, which take issue with the content and production . . . This text is surely a valuable revival of MacKinnon's work. In addition, its return to early feminist concerns over the gendering of the private sphere in dialogue with the production of homogeneity through state practices enables critiques of the political tactics in current civil rights movements." (Melissa Mosko Hypatia Reviews Online)"Margret Grebowicz has written a bracing, vital book that should be required reading for any scholar interested in the politics and theory of sexuality. Relying on an eclectic but carefully chosen set of interlocutors (from Baudrillard to MacKinnon to Scarlet the Harlot), Grebowicz has carved out a space to ask specifically philosophical questions about an emerging, and increasingly influential, set of social practices." (Ann Cahill Elon University)"[A]rresting . . . Grebowicz's central premise is that the means by which pornography is distributed is as significant as its content―the 'graphy', in other words, as significant as the 'porn' . . . The internet has put cameras everywhere. It used to be radical to turn the lights on for sex; perhaps the time has come to switch them off." (Hannah Dawson Times Literary Supplement)"[T]his book by Grebowicz offers an adroit analysis of Internet pornography that has large implications for feminism, gender studies, and media studies . . . Recommended." (M. Uebel Choice)"Grebowicz's skillful argument goes far beyond the usual debates about whether Internet pornography is 'good' or 'bad', encouraging us to think instead about the deeper philosophical and political meanings of porn and its distribution today." (Karmen MacKendrick Le Moyne College)

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About the Author

Margret Grebowicz is Associate Professor of Philosophy at Goucher College.

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Product details

Series: Stanford Briefs

Paperback: 152 pages

Publisher: Stanford Briefs; 1 edition (February 27, 2013)

Language: English

ISBN-10: 0804786623

ISBN-13: 978-0804786621

Product Dimensions:

5 x 0.5 x 8 inches

Shipping Weight: 7.7 ounces (View shipping rates and policies)

Average Customer Review:

Be the first to review this item

Amazon Best Sellers Rank:

#1,033,926 in Books (See Top 100 in Books)

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Why Internet Porn Matters (Stanford Briefs) PDF

Rabu, 08 Agustus 2018

Free PDF Adobe After Effects CC Classroom in a Book (2017 release)

Free PDF Adobe After Effects CC Classroom in a Book (2017 release)

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Adobe After Effects CC Classroom in a Book (2017 release)

Adobe After Effects CC Classroom in a Book (2017 release)


Adobe After Effects CC Classroom in a Book (2017 release)


Free PDF Adobe After Effects CC Classroom in a Book (2017 release)

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Adobe After Effects CC Classroom in a Book (2017 release)

About the Author

Lisa Fridsma has long loved the process of teaching others to use Adobe products. She has written, edited, and designed over thirty books in the Classroom in a Book series over the last decade and a half (including books on Photoshop and After Effects), going back to her time on-staff at Adobe. She’s currently the owner of Darlington Hill Productions (Informational illustrations and publishing). Lisa lives in Bethesda, Maryland, with her family and two above-average dogs.   Brie Gyncild aims to make technical information accessible to those who need it. Brie wrote The Photoshop CS5 Pocket Guide and The Photoshop Elements 8 Pocket Guide. She has also co-written The Photoshop Show Starring Russell Brown; numerous editions of the Classroom in a Book series on Photoshop, After Effects, Flash, and Acrobat; and several editions of the How to Wow series. Brie lives in Seattle with two cats and an overgrown garden.

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Product details

Series: Classroom in a Book

Paperback: 400 pages

Publisher: Adobe Press; 1 edition (January 1, 2017)

Language: English

ISBN-10: 0134665325

ISBN-13: 978-0134665320

Product Dimensions:

7.2 x 0.5 x 8.9 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

37 customer reviews

Amazon Best Sellers Rank:

#179,168 in Books (See Top 100 in Books)

Is this a bad book? No. But is it good? Is it complete? Is it comprehensive? Can you easily find specific information? Well... that's where the problems come in.First of all, let me say this, so that anybody reading the review has some idea of where the reviewer is coming from. I used to use AE quite a bit several years ago, but I basically haven't touched it since at least 2014. So there's a LOT I don't remember too clearly about exactly how everything works, and it's a complex program, obviously. And just as obviously, there have been a lot of updates (even though the basics are the same.) I always used the Trish and Chris Meyer books in the past, but the last published edition was in 2010. So, as far as books... there aren't a lot of choices. There are a lot of random videos out there, and there's also lynda.com (more about that later), but there are just not many selections at all for the old school analog book.First, the good: This book is well-written, and the examples are clear. The tutorials are fun and well-paced, also well-explained. The basics are... well, KIND OF basically covered (shape, text, animation, layers, masks, puppet tools, rotobrush, color correction, 3D features included the camera tracker, advanced editing, rendering.) The problem came in when I started thinking about how well this would all work for someone who was a REAL beginner rather than a past user who just hadn't picked up the new edition for a few years. Because the truth is, the basics aren't really covered, and here's the proof.Look at an old copy of the last Trish and Chris Meyer 2010 book, *Creating Motion Graphics With After Effects.* I have a copy on the desk right now. It's 752 pages. The Classroom in a Book is 399 pages. Yep-- 752 pages to cover the OLDER version, and 388 pages to cover the NEWER version, with all the added features. Lots and lots and lots of the essentials have been cut out. Look for a list of keyboard shortcuts-- it's not there. Look for the older, much longer chapters going into detail about fundamental concepts like layers and keyframes and editing-- not there. Look for xyzabc etc etc etc... not there. In 388 pages, it CAN'T be there.So why not just go to a source like lynda . com, you ask? I've had that membership for a long time, and I think I might even renew it again. THAT is where Trish and Chris Meyer went, and their instructional videos are there. But here's the problem with a video lesson format: you're tied to the pace and teaching methods decided on by the people who *made* the videos. There is no reference manual. And that's what the Classroom in a Book desperately needed to be. I do not have a lot of patience for going through videos and spending literally ten or twenty times the amount of time I would spend to look up something in a true reference book. Sometimes, we need specific pieces of information easily and quickly accessible and put together in an understandable way rather than having to sit through several twenty minute videos to try to figure out something very specific that we want to do. (The Adobe help and user forums are absolutely not a solution either, which is too bad.) What really needed to happen is for Trish and Chris Meyer to keep coming out with books, whether in print or online format. That's really what they should do-- online editions of updated AE books-- instead of 100% sticking to videos That is the strongest aspect of the Classroom book, btw-- when you buy it, you can go online to peachpit press and use the online version. But I don't think it's enough. I haven't decided yet if I'll be returning this book, but that might happen, even though it isn't exactly bad... it's just not good enough.PROS:Does have some good infoTutorials are well writtenDoes cover some of what you need to knowOnline version included with the purchase is very nice.CONSDoes not cover the basics very wellDoes not contain comprehensive information about the nuts and bolts of AE in the way that the Trish and Chris Meyer books didNot a reference book, which it needed to beNot long enoughEmphasis on tutorials rather than constructing the "building blocks" of the basic knowledge you need to use AE as a tool.WAY too expensive for what it is.Overall, this isn't a bad book to have in your library... but I would seriously also buy Creating Motion Graphics with After Effects, 5th Edition. Even though it doesn't have info on the most recent updates, it comprehensively covers the basics, and the new CiaB does not. For $56.50, the new book needs to offer more than it does.

I've used a few classroom in a book textbooks for my graphic design courses at Arizona State.This book is just terrible compared to the books for InDesign, Photoshop, and Illustrator. This book is full of typos, small dark pictures, and unclear instruction. I would not suggest getting this if you're a complete newbie to After Effects. If you've managed to mess around with the program and have a good feel for it, I would suggest this book as a guide at best. However you would probably be better off saving your money and following along with a tutorial found on Google or Pinterest.

I don't think you ever work though a complete project. It's very disorganized and jumps around. Like the author was going "oh, let me show you this. oh let me show you that." You start a project then its confusing because the next section doesn't pick up where you left off, you just abandon it.

You can learn more from a five minute youtube video.Don’t waste your money.

I really wish I had taken the bad reviews to heart. It's extremely frustrating, what with the mistakes in the book combined with very tedious and complicated instruction. It became too much to tolerate, even for a patient person, by the fifth chapter and I have, for now, given up on this book.

i've paid tuitiion fe es for multiple college level graphic design courses that simply teach from these books. The adobe textbooks take the "long way" to explain everything, but its detailed. and it works. ... been very successful with other Adobe Suite Applications.

Kindle version: Lots of typos. Long captions unnecessarily describe everything in each screenshot. I wonder if a draft copy mistakenly made it into the Kindle distribution. Otherwise, the content seems fine - a good refresher/update for someone like me who has been away from AE for several years.

This was a great 101 introduction to After Effects. It's full of basic tutorials and some resource full tips for new updates and shortcuts included in the 2018 version. However, there were a few misprints and missing information in some tutorials that I had to google search and ask a pro about. However, if you want to begin the steps of learning after effects...this is the way to go.

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Adobe After Effects CC Classroom in a Book (2017 release) PDF

Adobe After Effects CC Classroom in a Book (2017 release) PDF

Adobe After Effects CC Classroom in a Book (2017 release) PDF
Adobe After Effects CC Classroom in a Book (2017 release) PDF