Rabu, 18 Juli 2012

Free Download

Free Download

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Product details

File Size: 11818 KB

Print Length: 152 pages

Publisher: Springer; 2015 edition (May 28, 2015)

Publication Date: May 28, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00YGCYSXS

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Amazon Best Sellers Rank:

#1,294,299 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Minggu, 15 Juli 2012

PDF Ebook BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show

PDF Ebook BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show

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BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show

BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show


BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show


PDF Ebook BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show

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BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show

About the Author

BirdNote is a syndicated public radio feature that can be heard on over 200 stations across North America.Emily Poole is a freelance illustrator from the mountain town of Jackson Hole, Wyoming. A graduate of Rhode Island School of Design, she is currently located in Eugene, Oregon.

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Product details

Diary: 176 pages

Publisher: Sasquatch Books (November 5, 2019)

Language: English

ISBN-10: 1632172844

ISBN-13: 978-1632172846

Product Dimensions:

5 x 7.5 inches

Shipping Weight: 5 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,922,716 in Books (See Top 100 in Books)

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BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show PDF

BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show PDF

BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show PDF
BirdNote Journal: A Birdwatcher's Companion from the Popular Public Radio Show PDF

Sabtu, 14 Juli 2012

Download PDF Massive: Gay Japanese Manga And The Men Who Make It

Download PDF Massive: Gay Japanese Manga And The Men Who Make It

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Massive: Gay Japanese Manga And The Men Who Make It

Massive: Gay Japanese Manga And The Men Who Make It


Massive: Gay Japanese Manga And The Men Who Make It


Download PDF Massive: Gay Japanese Manga And The Men Who Make It

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Massive: Gay Japanese Manga And The Men Who Make It

Review

“Here's a book I want to give the highest recommendation to, but for very different reasons from those I would usually highlight for an amazingly effective collection of male-on-male erotic art ― which this happens to be. But it is also fascinating and incredibly informative. The book's sections are not only beautiful, intelligent, sometimes humorous and always sexy as hell. They are also important, for what the artists have to say in the accompanying texts and essays about themselves and about the art they make. This is a wonderful collection that every reader and writer should read. It's a knockout on so many different levels!” - Samuel R. Delany, (author of Bread & Wine, Hogg, and Through the Valley of the Nest of Spiders)“Massive is amazing. Bigger and bolder than Tom of Finland, this manga porn transcends any genre, and stakes its claim on unbridled and unapologetic masculinity. Funny and beautiful, erotic and unworldly, it's a blessing to have this uniquely Japanese subculture now available in the West.” - Andrew Sullivan, founding editor, The Dish“Massive indeed accurately describes not only the multiple manifestations of homosexual desire, particularly in Japanese culture, but also a common aesthetic throughout all of these artists’ drawings…; hopefully this anthology will please ardent fans and raise the awareness that will stoke the new talent and audiences necessary to bara manga’s longevity.” - Alexander Cavaluzzo, Hyperallergic“…[T]he new anthology Massive helps to fill a gap in Americans’ understanding of the vital, complex culture of manga. … The level of drawing in these erotic fantasies is extremely high, sometimes rivaling the work of the iconic Western porno artist Tom of Finland.” - Charles Solomon, Indiewire“…Massive is just that: massively hot, massively entertaining and massively informative.” - Tom Cardamone, Lambda Literary“Get ready for Massive: Gay Erotic Manga and the Men Who Make It, a new anthology of husky gay erotica. … The collected work in Massive showcases a selection of Japan’s best gay erotic artists, some of it rarely seen in the West outside of poorly translated scans…” - C. Edwards, Out“Replete with rippling muscles and hypermasculinity, this volume provides a fascinating overview of contemporary gay manga and its creators. In a medium dominated by visual exaggeration, the figures given vivid, lusty life by these artists express the apex of a powerful butch sensibility. While the work... is as explicit as it could possibly get, there is a clearly expressed joy to its aggressive sexuality... U.S. collectors of this material will be thirsty for this first-ever English language anthology, and adventurous comics readers will encounter a realm they might have otherwise overlooked.” - Publishers Weekly“…[H]andsomely designed, meticulously researched… Massive... is far more than just a collection of pornographic stories ... [W]hat makes this such an invaluable anthology is right there in the title: the focus on 'the men who make it.' … So how’s the sex? It’s hot, strange, scary, awkward, intense, violent, and even hilarious at times. … Just like any other great pieces of art, these stories are outlets for unbridled creative expression, and that personal connection delivers some incredibly passionate pornography.” - Oliver Sava, The A.V. Club“Smart and amazingly hot at the same time.” - Jacob Anderson-Minshall, The Advocate“…Massive is a groundbreaking work that immortalizes an often over-looked corner of the queer art world.” - James Nichols, The Huffington Post

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About the Author

Anne Ishii is a writer based in New York and the owner of MASSIVE Merch.Graham Kolbeins is a filmmaker, designer, and writer based in Los Angeles. He is also the creative director of MASSIVE, a label inspired by Japanese gay art.Chip Kidd was born in 1964 in Shillington, Pennsylvania. He is an editor and writer―his Batman By Design was a NYT best-seller―but he is best known for his book designs, for which he's received the field's highest honors. He currently resides in New York and, with his partner (poet and editor J.D. McClatchy), in Connecticut.

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Product details

Paperback: 280 pages

Publisher: Fantagraphics; 1 edition (December 18, 2014)

Language: English

ISBN-10: 1606997858

ISBN-13: 978-1606997857

Product Dimensions:

7.1 x 0.9 x 10 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

32 customer reviews

Amazon Best Sellers Rank:

#145,110 in Books (See Top 100 in Books)

First, if you are already into this form of Japanese erotic story telling, it is a beautiful collection of varied styles that explores the intricacies of the individual characters and the narratives of their unique identities that the word "gay" simply can't completely encompass. It showcases a number of major artists of the form, engages in a very strong scholarly examination of the genre, features wonderful introductions/interviews with each artist (outlining everything from their personal stories, their understanding of their sexuality within a sexual community, and a very lucid study of their aesthetics), virtually censorship free (very rare for gay visual eroticism coming from Japan, the liberty of which is largely due to the support and appreciation shown by the editors to the artists and the artistic merit of their work), includes a very brief but thoroughly researched history of male same-sex desire in Japan (from far back in the country's past to the present day), and contains content that just wonderfully hot.For anyone not familiar with this art style but interested in becoming more acquainted with it on an extensively large number of levels, this collection of what is usually called in "Bara" in English is without question the best place you could start. As mentioned before, one of the great elements of this volume is how it is both an assemblage of different approaches to a particular genre of homo-eroticism through sampling so many talents and also a fine work of scholarship. I'm using the term "bara" for convenience's sake, but the term's usefulness in describing this art style (which I will say focuses on larger men, ranging from men with more-to-love type figures to hyper-muscled types and much more). The artists featured are in so many ways taste makers who gave articulations to desires that certainly existed but were/are not given much attention in many cultures because of cultural preoccupations with certain bodily "ideals." One way you can tell the editors knew what they were doing is by looking at the reverence that is shown to Gengoroh Tagame, who is the central figure behind this art movement and also the inspiration for the historical and aesthetic study that structures the analytical sections (Tagame is also a first-class historian of sexuality). It's hot, smart, a great introduction for the curious, and an invaluable volume for fans and advocates of this very diverse and bodily affirming style of illustrated sexual expression.Just to be clear, this is a great collection of very sexy short manga narratives. That alone, aside from all of the other wonderful things this great book achieves, makes owning the text a very seductive and raw investment.

Has introductions of about 20+ Japanese gay erotica artists with samples and segments of their work. Many are new to me and I am an instant fan. Will be visiting their fan sites and buying more of their work. This anthology is HUGE. Lots of hot action art. And getting to know more about each artist is a new window into their work. Buy recommendation!

So glad this collection was translated to English - hopefully, there'll be many more to follow. The format of the book, in that you start reading from the traditional, western "back page" to the "front" & then read each page from right to left, took a little adjustment, but was well worth the effort. The profiles of each artist also deeped the appreciation of the skill & meaning behind their work.If you have ANY interest in this sort of material, I would HIGHLY recommend the purchase!

While I enjoyed the manga, the best parts were the bios on the artists. The manga seemed to be a bit choppy and not a cohesive as maybe it should have been. This book has become more of a reference for me as I ferret out other artists featured here... I've ordered books by some of the artists and also found a retail site selling t-shirts and other items from the same artists. If you're new to gay Manga, this book is a perfectly good place to start. Just don't stop there... find works by the other artists and support their work.

I'm so happy to see gay manga start making its way to U.S. audiences. This book is a great primer, providing an introduction to a variety of artists, each with their own style and vision. Previously, non-Japanese speakers have only been able to access this material through fan sites, which don't compensate the artists and provide a poor quality product. This book is refreshing contrast, which quality printing, stellar translations, and artist introductions that really give you a better understanding of the where this is coming from.

This book is amazing. Definitely a must have for anyone who is interested in this style of art. It is well composed and edited. It is a great combination of information about the artists, the history of this genre, and samples of the artists' works. It definitely leaves me craving more and I'm excited for any of Massive's future endeavors.

The artwork is often impressive, but the stories that work with the artwork make this compilation of various manga artists compelling and, yeah, very sexy. We need a lot more of this material available in English, with the artist's input and cooperation like this book. My fave is Seizoh Ebisubashi.

Great buy and a must have for all the Bara lovers.As the title says it. this is about Massive guys.It's a compilation of Bara Manga artists.Great for Gay Manga readers, really sexy too!

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Massive: Gay Japanese Manga And The Men Who Make It PDF

Massive: Gay Japanese Manga And The Men Who Make It PDF
Massive: Gay Japanese Manga And The Men Who Make It PDF

Selasa, 10 Juli 2012

Download , by Kimberly Loth

Download , by Kimberly Loth

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, by Kimberly Loth

, by Kimberly Loth


, by Kimberly Loth


Download , by Kimberly Loth

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, by Kimberly Loth

Product details

File Size: 4227 KB

Print Length: 220 pages

Simultaneous Device Usage: Unlimited

Publication Date: April 4, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01AVXKQYA

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Amazon Best Sellers Rank:

#10,500 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

You will love this book if you love Mary Sue characters, next to no plot, no consistency, playing light on rape, and over all a terribly written story. Spoilers ahead!!!I have read all the books aside from the last. This book starts off with promise. A world we currently live in but with dragons. The main lead is a teenage girl who is irresponsible, feels invincible, not too bright, and hates pretty boys. She spends her time obsessively trying to take pictures of dragons which is the only thing that makes her unique. Dragons have a law that despite being hundreds of years old the potential kings must turn into their human forms for 10 years to see what it is like as a human. Despite being hundreds of years old and supposedly wise beyond measure, these potential kings have to go to high school under a strict set of rules. Main rule: No falling in love with a human and no having sex. Dragons mate for life once they have been ceremoniously mated. A dragon eats a human...and that's pretty much the thing that starts the rift between humans and dragons through out the book. This one dragon continues to eat humans.Male dragon lead meets female lead and she is reminded of the guy who raped her since he looks just like him minus the eye color. She reacts so violently out of fear that she throws up on him and passes out. He tries to get her to like him, she decides halfway through the first book that she actually likes him and that his 99% same features as her rapist do not matter. They date. Girl decides she loves main lead dragon who is king of dragons and needs a mate. With serious trials that apparently a good portion end in death this girl passes with flying colors and even kills one of the most powerful dragons...with a sword....on accident. She gets to be queen of the dragons...and then another dragon turns black (the king dragon is black so there are now more kings which is a prophecy). Enter female lead older sister. Girl sleeps around without care, hates dragons and isn't afraid to voice it, and hates relationships because she gave up her virginity to a guy who she just met and find him with another girl the next night. So she meets 2nd king and basically through out the book insults the hell out of him and the other dragons and is consistent on her hate of them. Keeps him at arms length but all of a sudden decides she loves him and wants to be his queen. She doesn't go through the trails but has to decide the fate of one human and bam, she's queen. Last "king shows up" and its the lead female dragon (1st kings ex). And despite not liking humans she falls in love with the sisters' brother, who in itself is a lame Gary Sue story. I had to tap out after this.Aside from this romance a 10 year old could write, the dragons and humans are almost at war. Dragons are almost at war with themselves too. Only the kings, with the strength of their human queens, can save the world. *eye roll*

The plot is rock solid, and soooo goooodd! I couldn't stop. This was totally worth the read - I really love how Loth has woven the story together. I do think that the last 40% of the book (or, ever since Rowan finds out about the dragons) felt really rushed. ·small spoilers!· I mean, I love that we got to experience the queen trials, and I love how things happened with the POV change and all, but it kinda felt rushed, I mean, I feel like she could have taken some more time to get us readers into the experience of going through them (though I do expect there to be more elaboration about them in the next book, since not everything was shown). yeah, the only down side was the rushed feeling. I would have loved for her to go into a little more detail with how things developed, especially since the plot is so good. Anyway, apart from that, I love how she started the book out - did Aspen die? You know.And it's kinda weird that we sort of find out the villain, idk if I like that that much, since I think it could have been way more surprising later on, to the reader (I didn't really see it coming), and with her new powers at the end I totally expect them to START suspecting the guy in the next book, I mean, they really have no clue about him when there should have been some slight nagging feeling... Actually, there should have been some sort of small doubt somewhere, I mean, there's talk about other dragons being unfaithful and since the reader knows who the bad guy is, it's really a surprise that the characters are so blissfully oblivious. Anyway, I hope this suspicion really unfolds next book. And I'm kinda disappointed that the characters don't find anything amiss in this book about the betrayal, it would take an idiot to not be a little suspicious. I mean, at least one of the characters should sort of see that coming! Would have loved for the ID of the villain to have been revealed at the end, rather than at the beginning of the book.

Aspen – Book 2Aspen and Obsidian are back for more adventure. Too many human body parts have shown up to pretend there isn’t a rogue dragon with a taste for human flesh. Aspen’s love of dragons is a rare point of view among the fear held by most other humans. Relationship problems in the form of Obsidian’s former lover don’t help the stress levels. But we do get to meet several new characters that I loved – like Runa. I was lucky to snag books 2 through 4 when they were on sale near the end of October. The first story was so intriguing that I immediately started this one and did not want to put it down – so I stayed up later than normal to finish it.

I couldn't wait for the sequel after I finished the first book. I wish it was a little longer. It seems like this was just a bridge from the first book to the second. The book was over before I knew it, and it left me wanting more. The addition of so many new characters without real development from them was annoying, I want to know more! Overall it was a good book and I look forward to reading the third installment, but this book made me go from edge of the seat waiting for a sequel to I'll read it when I get to it.

I liked this series so far because it is an original tske on dragons. They coexist in our everyday world, have representatives in the government and are full of secrets. There is a mystery (one dragon is eating people) and there is a plot to kill the current king, and there is a prophecy... What else do you want? Buy and read this series!!

This book was beautifully written and had me interested and wanting to never stop reading at every turn. I believed the funeral at the beginning was Aspen's and I was a bit annoyed at myself for believing a main character had been killed off when Aspen was revealed to be alive. I loved the new characters that were introduced, they were all so interesting, especially Damien. This book played with my emotions at times, as did the first book of the series, but I've come to accept that that is the sign of a good book. I am certain anyone would love this series and I will most definitely be reading the next book.

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PDF Download The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution, by C. L. R. James

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The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution, by C. L. R. James

The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution, by C. L. R. James


The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution, by C. L. R. James


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The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution, by C. L. R. James

Amazon.com Review

In 1789 the French colony of Saint Domingue was the most profitable real estate in the world. These profits came at a price: while its sugar plantations supplied two-thirds of France's overseas trade, they also stimulated the greatest individual market for the slave trade. The slaves were brutally treated and died in great numbers, prompting a never-ending influx of new slaves. The French Revolution sent waves all the way across the Atlantic, dividing the colony's white population in 1791. The elites remained royalist, while the bourgeoisie embraced the revolutionary ideals. The slaves seized the moment and in the confusion rebelled en masse against their owners. The Haitian Slave Revolt had begun. When it ended in 1803, Saint Domingue had become Haiti, the first independent nation in the Caribbean. C.L.R. James tells the story of the revolt and the events leading up to it in his masterpiece, The Black Jacobins. James's personal beliefs infuse his narrative: in his preface to a 1962 edition of the book, he asserts that , when written in 1938, it was "intended to stimulate the coming emancipation of Africa." James writes passionately about the horrific lives of the slaves and of the man who rose up and led them--a semiliterate slave named François-Dominique Toussaint L'Ouverture. As James notes, however, "Toussaint did not make the revolution. It was the revolution that made Toussaint." With its appendix, "From Toussaint L'Ouverture to Fidel Castro," The Black Jacobins provides an excellent window into the Haitian Revolution and the worldwide repercussions it caused. --Sunny Delaney

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"Brilliantly conceived and executed...The absorbing narrative never departs from its rigid faithfulness to method and documentation."-- Books"Mr. James is not afraid to touch his pen with the flame of ardent personal feeling -- a sense of justice, love of freedom, admiration for heroism, hatred for tyranny -- and his detailed, richly documented and dramatically written book holds a deep and lasting interest."-- The New York Times

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Product details

Paperback: 448 pages

Publisher: Vintage; 2 edition (October 23, 1989)

Language: English

ISBN-10: 0679724672

ISBN-13: 978-0679724674

Product Dimensions:

5.2 x 0.8 x 8 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

86 customer reviews

Amazon Best Sellers Rank:

#28,121 in Books (See Top 100 in Books)

In a narrative arc any academician would die for, CLR James has revisited, broadened the context of, reset the parameters for, and perhaps not intending to, also began to expose some of the more unsavory hidden details of both the French and the American Revolutions.Over the half millennium that it took for the Feudal World to break up, a paradigm composed most of philosophical abstractions, like freedom, equality, brotherhood and fraternity, was commandeered by those who followed the Feudal Lords, the Planters, and the bourgeoisie of the major slaveholding Western capitols, who used them cynically as rhetorical top cover. All carefully laced with romantic visions and myths of hope and promise, they were systematically and purposefully worked into Western political discourse as idealistic asymptotes to be achieved. But none of this cheap talk was ever meant to become a reality for the world ‘s Black slaves.Like carrots on a stick, high-minded principles along with the whip and the rack, soon became viable labor management tools. Tied just above the heads of those on the bottom rung of the social ladder, these symbolic carrots were used to spur “the little whites” and “slaves of all colors,” on to ever greater production for the “big whites. ”The aristocracy of skin color” was the foremost of such symbolic carrots held over the heads of “little whites.”The emerging theory was that: so long as their shoulders remained heavily tethered to the grindstone and the profits kept rolling in, little harm was done in having laborers believe that someday there would be pies falling from the sky, or that “little whites,” due to skin color alone, were better than blacks; or that somehow they could eventually become “big whites,” or even that slaves, who were used up so quickly that they had to be replenished every three years, could eventually become voting citizens? After all, religions had sold similar kinds of pie in the sky about the end of the world for centuries and life after death. So where was the harm in it?However, over time, those on the bottom slowly began to realize that misuse of high-minded abstractions to keep them redoubling their labor and the profits that only went to the “big whites,” was all a cruel “power game” played on the playing field and on the terms of “big whites,” at everyone else’s expense.If high-minded principles were ever to become real and stop being just rhetorical top cover for the Planters to use only as cynical fodder to keep the heads of those on the bottom at the wheel making obscene profits for the slave drivers, it could only happen that those principles could become real only if “little whites” and “slaves” acquired enough political power together to turn the social order upside down. And that is exactly what they did in Haiti.Using the brutal facts on the ground in both the French and Haitian Revolutions, and implying by analogy that the same occurred during the American revolution, except that the American Revolution was really a counter-revolution, the author has shown us how those on the bottom rung of the social ladder in Haiti — the “little whites,” “mulattoes,” and “African slaves,” who believed in the high-minded principles of the French and American Revolution, even when the Colonial masters themselves did not — were able to rise above its most cynical interpretations to seize power and make them real for all the Haitian and French people.On a global canvas driven by, and punctuated by, the Seven Years War, the author weaves a narrative of details that expresses the brutal realities of those times; and he does so in the most cold-blooded of terms. The graphic details of how the war was played out day-by-day, decision my decision, intrigue by intrigue, and treachery by treachery, over more than a decade, can now replace the mythical high-minded, syrupy romantic versions: Freedom was won only after the stronger powers eventually became the weaker ones on the battlefields, and were then forced to fold their hands and sue for peace. QEDThe force that animated both the American and French revolutions is no longer much of a secret. It was the same nasty inhuman undertow of geopolitical competition that animated the rest of the Western world: the mindless quest for the enormous global profits generated by labor from the African slave trade.While the unfolding drama was centered mainly in the Caribbean (mostly San Domingue, Jamaica, Barbados and Cuba), it became a template and a trope that extended into America and across South America as far away as Brazil.This story is centered in the nature-rich, but still notoriously emotionally backward and wretched little voodoo-laced Caribbean environmental paradise called San Domingue (today’s Haiti). Paradoxically, the logical end-point to this story is what all of the corrupt geo-competitive slave-dependent states had long feared: a slave revolt engineered by a single slave who was also so brilliant a politician, a master strategist and tactician, a straight-shooting much respected negotiator, a preacher, and a warrior who led from the front, one who believed with all his heart in the principles that the French Republic had used only as rhetorical top cover, that he was compared to, and defeated Napoleon Bonaparte on the battlefield. His named was Toussaint L’ Ouverture.If you can imagine a three-dimensional chess board in which checkmate is the last shot fired in a circular firing squad, with the second and third dimensions being class and race, and the first being royalty and nationality, then you will have an approximate idea of what the multi-tiered multi-cultured back-biting treachery, brutality, torture and hatred was like in France, Haiti and America during the decades through their respective revolutions. These were really untidy affairs.In fact, it may not be easy to see that the deepest truth told in this disturbing narrative is that the French Revolution and the slave revolt in San Domingue, were in truth just two of the unintended consequences of —indeed lingering imperatives of — the “so-called” earlier American Revolution, which a decade before had set the table for, and had become the template for them both. And which, if the complete truth were ever told, was itself but a fearful convulsive reaction to the expected impending end of the transatlantic slave trade.Couple that with the prohibition against moving west into Indian territory imposed by the Treaty of Paris, and a slightly increased British war surtax, and you will then see why the “so-called” American Revolution in fact became little more than what Professor Gerald Horne called a counter-revolutionary imperative: It was these very modest calls for peaceful coexistence at the end of the Seven Years War, that had set the table for, and set in motion, the “so-called” American (counter) Revolution. Each of these very modest peace conditions (we are led to believe in canonical American history), made the reactionary American patriots, hopping mad enough to launch their own revolution?Thus, the full truth is finally told here: all three — the American and French Revolutions, as well as the Haitian slave revolt — were all of one ignominious piece, clandestinely instigated by the vengeful reaction of the ostensible winner of the Seven Years War, the then “not-so-great-again,” Great Britain.In fact, the exercise left here for the astute reader is understanding that in the background, the devilishly clever ostensible winner of the Seven Years War, England, seeded and set in motion what would become the only successful black slave revolt in world history.While it is indeed true that on paper England was the last man left standing on the battlefield in the Seven Years War, and thus was able to dictate its peace terms, it was all but self-evident even then that England was the winner “in name only.”Just as was the case with the losers, paradoxically, England found its exchequer empty, a causality of seven years of brutal war with troops flung all across the globe, and with slave insurrections popping-up in its Caribbean and American colonies. As a result, its cotton and sugar cane colonies in the Caribbean as well as in the Carolinas were being shattered.It must have seemed to England that it had cleared away the geopolitical debris from a whole continent only to see the ungrateful Americans swoop down under it and take over — turning themselves into an empire even before they had become a nation!Britain thus found itself all but written out of the enormous profits of the transatlantic slave trade, and out of the competition for empire in both the Caribbean and the entire North American continent: San Domingue, Brazil and the Carolinas were “in;” Jamaica, Barbados and England were “out.”The new global centers of sugar cane, indigo, corn, tobacco, and cotton were now San Domingue and the Carolinas. France and America, two ostensible losers in the Seven Years War, now sat in the “Cat bird seat.” How had it happened, and what to do?In between the lines in the subtext, the author tells us that it was the very greed and prosperity of the French and English bourgeoisie, respectively the real profiteers of the slave trade, had started both revolutions. With every increase in slave-generated profits, the maritime bourgeoisie and colonists’ greed simply inched them ever closer to their own doom. As he notes on page 55: “The colonists slept on the edge of Vesuvius.” The mindless increase in slaves, coupled with increasing numbers of absentee planters, conspired to fill the colonies with a dangerous lopsided black-white demographic. In Jamaica and Barbados alone, resentful, increasingly intractable, ready to rebel slaves, out-numbered whites 100-1.Machiavellian England took due note of this situation and came up with the right plan to both lick its wounds and exact revenge from its enemies, the erstwhile losers of the Seven Years war. It made a virtue out of necessity by moving its colonial production from the plantations it had lost in both the American, and its revolt-ridden slaveholding Caribbean colonies. It moved this production to its other colony, India, where ostensibly, free labor, instead of slave labor, was used — that is, if one could call paying Indians a penny per day, slave-free labor?This maneuver would allow England to have its cake and eat it too. For, at least on its face, it would end British dependence on the brutal immoral and inhuman African slave trade, while at the same time, allow it to point an accusing finger back at the hypocrisy of those unwilling to give it up — and who in fact still relied on it for life-and-death — yet continued to proclaim freedom, fraternity, brotherhood and equality for all strata of French and American societies?By simply calling for an immediate end to the trans-Atlantic slave trade, England occupied the moral high ground alone, and thus this superior position allowed it to bring down both revolutionary houses.But more importantly, by stopping the transatlantic slave trade in its tracks, this Machiavellian English master stroke complicated the internal politics of both nations irreparably, and thus helped destroy the very basis of its geopolitical rivals’ enormous profits.The plan England set in motion worked beyond perfection. For it did much more than just expose the moral hypocrisy of its rivals and irreparably undermined their internal politics. One of the most important unintended consequences of calling loudly for the end of the transatlantic slave trade is now firmly enshrined into Western History: It set in motion slave revolts that lit up the Caribbean like Roman candles on the Fourth of July. They could be seen as far away as San Domingue, Virginia, North and South Carolina, New Orleans, and all across South America and Cuba.This book tells the story of how the most spectacular of those revolts happened: That is, how the ex-slave, Toussaint L’Ouverture, at age 45, led the first and only successful African slave revolt.His was a remarkable revolution, one that Western history books, even today, are still loathe to talk about. It was won over 12 years after defeating a Napoleon army of 60,000, a British expeditionary force of 100,000 — and after also receiving timid support from both America and Spain.In a footnote to history, that for the first time only becomes clear in the subtext of this book, the reader will now learn the true reason why Thomas Jefferson reversed the support given to L’Ouverture by his predecessor John Adams.To his historical credit, Adams saw L’Ouverture for what he was: a true republican, a fighter for the same principles of freedom and liberty that the “so-called” Founding Fathers in America, and the very revolutionaries overthrowing the French Republic, had falsely claimed to have also been fighting for? Apparently Adams believed in them as deeply as did L’Ouverture?Our history books tell us Jefferson went to Haiti ostensibly to aid his sworn enemy France in putting down the L’Ouverture led revolt? But, even though Jefferson had close ties with France, that explanation still makes no historical sense? It makes no sense because US policy through Adams already supported L’Ouverture as a republican revolutionary in the same vein as the American revolutionaries, and moreover, he alone was fighting against America’s sworn enemy France.Everyone knew that if Napoleon, who hated blacks (and frequently used the N-word), survived Haiti, his next move was going to be to reinstate slavery all over the French Antilles; return to New Orleans, kick Spain out, and use it as a launchpad to retake the North American continent from colonial America. Since France already owned everything between the Appalachian mountains and Spanish Texas; and could count on Spanish troops stationed in Cuba to join in, this was a no brainer: the French threat was the greatest one facing a new nation trying desperately to hold on to its new empire, one won only by default.But Jefferson was as much a Machiavellian player as was Napoleon and the Kings of France and England. And had his own hidden reasons for going to Haiti panned out, it would have been Jefferson rather than Napoleon, or King George picking up the pieces after what was expected to be a quick and certain L’Ouverture defeat. In which case, Jefferson would then take over Haiti and all French territories in North America as consolation prizes. And then it would be Jefferson instead of Napoleon who would reinstitute the multi-racial multi-cultural Slavetocracy that had previously existed in Haiti as well as in French held America.However, against all odds, Toussaint L’Ouverture dashed both Jefferson’s King George’s and Napoleon’s hopes by winning the revolt and taking over Haiti himself. But as history turned out, Jefferson lucked-out anyway, as after the lost in Haiti, an already war-weary France just gave up the fight and all its territory in the New World through what became known as “the Louisiana Purchase,” And as the saying goes, the rest is history.Here in this book are to be found the always tense and scary details, written about beautifully. But a word of warning is in order: A reader would be remiss — he would commit an unconscionable and an unforgivable sin to get so engrossed in the writing as to miss the deeper overarching narrative running along in the subtext.For those who want to know before hand what Toussaint L’Ouverture was really like, there is no better summary of how others felt about him than what was said about his declaration supporting the revolution sent to Paris, just as things for him were about to turn for the worst. I repeat verbatim those comments from the last paragraph of chapter eight on page 198:“Personal ambition he had. But he accomplished what he did because, superbly gifted, he incarnated the determination of his people never, never to be slaves again.Soldier and administrator above all yet his declaration is a masterpiece of prose excelled by no other writer of the revolution. Leader of a backward and ignorant mass, he was yet in the forefront of the great historical movement of his time.The Blacks were taking their part in the destruction of European Feudalism begun by the French Revolution, and liberty, and equality, the slogans of the revolution, meant far more to them than to any Frenchman.That was why in the hour of danger Toussaint, uninstructed as he was, could find the language and accent of Diderot, Rousseau, and Raynal, of Mirabeau, Robespierre and Danton. And in one respect he excelled them all. For even all these masters of the spoken and written word, owing to the class complications of their society, too often had to pause, to hesitate, to qualify, Toussaint could defend the freedom of the blacks without reservations, and this gave to his declarations a strength and a single-mindedness rare in the great documents of the time. The French bourgeoisie could not understand it. Rivers of blood were to flow before they understood that elevated as was his tone, Toussaint had written neither bombast nor rhetoric but the simple sober truth.”Twenty Stars!

A long-overdue read. CLR James' review of The Haitian Revolution, brings clearly to the fore that after Toussaint's heroics Black Slavery would no longer be tenable in the America's. It is also a lesson in the historical betrayal of Progessivism by Liberalism. 'The Black Jacobins' is a 'must-read' for all who are part of the struggle to make 'emancipation' a lived reality, particularly for the African Diaspora in the West.

I really like this book. I will reread this one over again several times.This is about the only time that slaves have ever successfully rebelled against their captors and formed a workable country of their own. Haiti is also one of the poorest counties in the West, but to see what these people came through and what they made of it it astounding.

Great work describing the most successful war against great powers ever fought and won. Spartacus gets the movie for a two year rebellion. The Haitians slaves defeated Napoleon's France, Great Britain and Spain. What a history eloquently documented by one of the great scholars of the West Indies.

I enjoy reading history books, and it is always good to pick one up and read about the events that shaped mankind's developement.But every once in a long while, one comes across a history book that is so well written and engagin, that it becomes far more than just a book recounting past events, far more than just a book one learns from, and instead becomes an experience, a book to enjoy! This is such a rare book.I purchased it simply to have soemthing to teach me about Toussaint L'Ouverture and Haitian Independence, and instead got a book I could hardly put down.Besides the excellent writing, what makes this book especially wonderful and memorable to read, is that James doesn't just discuss the Haitian Revolt, but goes into details about the French Revolution, and its inner complexity and contradictions. He also touches often upon the more psychological dimensions of the struggle.Now, as others have pointed out, James' Marxism does tint his writing, but never to a degree as to give the impression that one is reading a dishonest or heavily biased account of events.One minor, or perhaps not so minor, limitation of the book is that it does not treat the successful post-L'Ouverture Haitian fight and independence with the same detail as the previous times. I suppose for that one needs to take a look at other books, but nevertheless aside form the final events, all the history is right here covered brilliantly and with great insight.Highly recommended, for anyone interested in Haitian history, as well as just good solid well-written non-fiction books.

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